FINDING THE RIGHT PHOTOGRAPHER

The Quest for the Photographer

Every model reaches a point where images stop being just pictures — and start becoming weapons.

That’s where I am now.

As Ambassador The Model, my next chapter isn’t about being seen everywhere. It’s about being seen correctly. The right light. The right lens. The right storyteller. Because editorial fashion photography isn’t about perfection — it’s about narrative.

I’m not searching for just a photographer.I’m searching for someone who understands story, restraint, and intention.

A Simple Sentence That Changed Everything

During my visit to NEXT Model Management, a man gave me advice that was disarmingly simple:

“Do you have any pictures?”

No commentary. No judgment. Just clarity.

That sentence stayed with me. It reminded me that timing matters. That readiness matters. That before doors open, you must first arrive equipped.

Not discouraged — focused.

The Modeling Book: My Sword and Shield

I carry my modeling book like a knight carries armor.

It came to me from Berlin, Germany, which still feels surreal. A fashion city rooted in edge, history, and rebellion. That alone made it special to me — a reminder that fashion is global, not local.

This book is more than a portfolio.It’s my sword and shield as I move through the wilderness of the fashion world. A noble tool. A declaration that I take this craft seriously.

And now, the pages need images worthy of what I’m becoming.

Three Photographers. Three Strengths. One Vision.

In my search, three editorial photographers stood out — each for a different reason, each capable of revealing a different side of Ambassador The Model.

Danny Cardozo

Danny’s work feels clean, intentional, and masculine. He understands restraint — when to pull back and let presence speak. His images feel agency-ready, timeless, and confident. He brings structure and polish — the foundation every serious modeling book needs.

Danny would give my portfolio clarity.

Diana Koso

Diana’s work carries strength, depth, and quiet authority. There’s a sense of control in her imagery — nothing wasted, nothing accidental. She captures power without forcing it.

Diana would bring presence and gravity to my image — the kind that holds attention without demanding it.

Anna Gunselman

Anna works like a storyteller. Her images feel emotional, cinematic, and thoughtful. She sees mood before pose. Intention before trend.

Anna would bring soul to my book — the side of me that exists between frames.

Why the Quest Matters

This isn’t about choosing the most popular photographer.It’s about choosing the one who can translate vision into truth.

Fashion is a world of castles — some real, some imagined. And every noble journey requires preparation, patience, and the right allies.

I’m not rushing this part.I’m building it.

Because when the time comes to open my book — I want every page to speak before I do.